The architectural practice of Ödön Lechner and Gyula Pártos
Lechner Ödön (1845–1911) and Pártos Gyula (1845–1916) forged a friendship and professional relationship while studying at the Bauakademie in Berlin. After returning home, they set up a joint architectural practice around 1870, and their partnership, with some short breaks, continued until 1896. Their early work (e.g. Primayer house, Sas utca 9, 1871–1872; block of flats in Kecskemét, Veres Pálné utca 9, 1871–1874) bears the marks of the Hellenistic neo-Renaissance style of their teacher in Berlin, Karl Bötticher. Lechner went to live in France between 1875 and 1878, during which the joint practice was suspended, but it restarted in 1879, producing designs that used Lechner’s experiences of French Renaissance architecture and of the creative synthesis of various styles. Nearly thirty buildings and half as many plans bear the partners’ signatures, including the Museum of Applied Arts (1893–1896) and the St Ladislas Parish Church (1891–1897). After they went their own ways, Gyula Pártos designed mainly in the historicist style, while Lechner continued to develop a Hungarian national design idiom.
by Zsófia Hutvágner